in 1986 and for the next two years, then voicing Cavin in the animated series “Adventures of the Gummi Bears” (1988-1990).
He made his TV debut in the soap opera “General Hospital” as Alan ‘A.J.’ Quartermine, Jr. Parallel with his education, Jason signed a contract with a model agency, and began to pursue a career initially as a model for commercials and later as an actor. When he was 11 years old, the family moved to Fullerton, California, where he attended Laguna Road Elementary School, and later D. Jason Marsden was raised in his hometown by his father, Myles Marsden, who was a premier danseur of the Yugoslav National Ballet, and his mother, Linda Marsden, a former fashion model his father is also known as the founder of the State Ballet of Rhode Island. Have you ever wondered how rich Jason Marsden is? According to authoritative sources, it has been estimated that the total size of Jason’s net worth is over $700,000, as of mid-2017, accumulated through his successful involvement in the entertainment industry, which has been active since the mid-‘80s. And so Fellowship endures: a miracle of storytelling, a feat of filmmaking and still the gold standard for cinematic experiences.Born Jason Christopher Marsden on the 3rd January 1975, in Providence, Rhode Island USA, he is an actor and voice actor, probably best known for starring in the role of Eddie Munster in the TV series “The Munsters Today” (1988-1991), playing Rich Halke in the TV series “Step By Step” (1993-1998), and doing a voice over in the TV series “Transformers: Rescue Bots” (2011-2016). Its ultimate heroes aren't the strongest, or those with the best one-liners, but the ones who just keep going.
This oddball suicide squad has so much warmth and wit, they're not just believable as friends of each other - they've come to feel like they're our pals too.Īn ornately detailed masterwork with a huge, pulsing heart, it's just the right film for our times - full of craft, conviction and a belief that trudging forward, step by step, in dark days is the bravest act of all. But Fellowship remains the most perfect of the three, matching every genius action beat with a soul-stirring emotional one, as its Middle-earth-traversing gang swells in size in the first act, then dwindles in the third. The Return Of The King boasts the most batshit, operatic spectacle. As Fellowship thrums to its conclusion, finally applying the brakes with a last swell of Howard Shore's heavenly score, you're left feeling euphoric, bereft and hopeful, all at the same time. Onwards his adventure hustles, to the bravura dungeoneering of Khazad-dûm, to the sinisterly serene glades of Lothlorien, to the final requiem for flawed Boromir amidst autumnal leaves. Even at the halfway point, as the characters take a breather to bicker in Rivendell, you already feel sated, like you've experienced more thrills, more suspense, more jollity and ethereal beauty than a regular film could possibly muster up.
The Fellowship Of The Ring contains so much movie. But here it is, brighter and more resplendent than ever. It might have taken 20 years for Peter Jackson's plucky fantasy to clamber, Mount-Doom-style, to the very pinnacle of our greatest-movies pantheon. He arrives precisely when he… well, you know the rest.